Audrey
Sean-Paul Thomas
Publication date: May 21st 2021
Genres: Adult, Contemporary, Romance
From the author of My Sister and I and The Old Man and The Princess (recently optioned to be a motion picture) – comes a new, suspenseful romantic tale that will knock you off your feet. A story that has a reminiscence of ‘500 days of Summer’ and ‘Midnight in Paris’ with a fair dollop of ‘The Graduate’ thrown in. And of course Audrey, a delightful, older female protagonist who takes the young and wayward ex-con Joe under her wing.
Just out of prison Joe, a young builder from Edinburgh who writes movie scripts in his spare time, randomly meets Audrey, a washed-up, hard-drinking, chain-smoking, middle-aged French film actress at his local film festival. After hitting it off and spending one crazy, magical night together, Audrey sees some potential in Joe and his writing and tries to help him win back his estranged daughter by getting his first screenplay made into a movie in Paris. And so, the adventure of a lifetime begins…
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Author Bio:
Scottish Author/Screenwriter.
Sean is an author from Edinburgh in Scotland. He is the best selling Kindle Author of 'The Old Man and The Princess' which was recently optioned to be a major motion picture.
Sean spent most of his childhood and teenage years on the move with his Scottish and Irish army Parents growing up in the likes of Cyprus, Germany, Wales, and England, as an army brat.
With a keen interest in both reading and writing, he was diagnosed with travel and writing bugs very early in life. Now, writing, travelling, reading, cinema, and Scottish football (Supporting the mighty Edinburgh City for his sins) are his main passions in life.
His main inspiration for writing today comes from living in such a beautiful, charming and hauntingly, Gothic city, such as Edinburgh. An awe-inspiring wee city that has given him so much amazing inspiration to write the more time he spends there.
Recently, Sean has been working on a couple of screenplay adaptations of his books. One of which 'The Old Man and The Princess' made the final of the Nashville Film Festival Screenwriting Competition 2018 and has since been optioned by an award-winning Director /Producer team. Scheduled to go into production in Ireland in the summer of 2021 filming has been postponed until 2022 due to the recent covid pandemic.
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Excerpt
“So,
what kind of movie nonsense are we going to see at this here film
festival lark tonight?” Colm enquired, thankfully changing the
subject to Joe’s relief.
“It’s
a movie called Dominique. It’s meant to be really good. The next
cult classic in European cinema, they say.” Joe answered, trying to
muster up as much enthusiasm as he could without overdoing it and
scaring Colm off.
Colm
wasn’t a complete movie hater, just a hater of low-budget, artsy,
fartsy, independent cinema with a well-written script that actually
made him think outside the box. The less dialogue spoken on screen
and the less complex of a plot, the better, as far Colm was
concerned.
“Dominique,
huh?” Colm pondered out loud, thinking on it a little deeper than
Joe could ever have guessed he might. “Sounds feckin’ French, if
you ask me.”
Joe
took a long sip from his pint before answering.
“It
is French.”
Colm’s
eyes opened wide at that.
“It
is? Jesus. But they’ll be speaking in English though, right?”
“No.
It’s a French movie. They’ll be speaking French, but with English
subtitles.”
Suddenly
Colm slammed his pint glass down upon the wooden bar counter in a
very loud and overly dramatic fashion.
“For
feck’s sake, Joe. You could’ve told me this shite earlier!”
“Well,
you wouldn’t have come along with me if I had, would you?”
Colm
sighed hard and shook his head in disappointment. He covered his face
with his hands like he’d just been told he had full-blown bowel
cancer.
“Jesus
Christ. I don’t go to the cinema to read feckin’ novels or to
actually have to think about what’s happening up on the screen
there. I thought it was gonna be like some relaxing experience, this
film festival lark. Like leaving me bleedin’ brain at the popcorn
counter and picking it back up again on the way back to the feckin’
pub. My mind’s far too small and narrow to learn a new language at
this stage of me life.”
Jesus,
Colm could be such a bloody drama queen at times, Joe thought. But he
was funny at ranting and raving in that over-the-top demeanour of
his. In fact, it was his speciality. He loved the attention of a good
public audience for sure, like all good extroverts, but still, he
could be a right insensitive prick after a few pints.
“Come
on. It will be
relaxing. It’s been getting some pretty decent reviews. Plus, it’s
the premiere tonight, so most of the cast and crew will be there.
And, there’s even going to be a really cool Q and A after.”
“No
way? A really cool Q and feckin’ A with the cast and crew.” Colm
replied in his sarcastic way. “So, not only do I have to sit
through a book reading for ninety feckin’ minutes...” he
continued to rant.
“Two
and a half hours actually.” Joe interrupted, casually correcting
him and feeling that it was just funnier to wind him up now than calm
him down.
“Two
and a half feckin’ hours? I could fly to bleedin’ France and back
in that time, and I still have to sit through another hour of pish
talk shite, listening to some dodgy, whiny, sound technician waffle
more pish and shite about the latest audio technology in French
feckin’ cinema?”
“It’s
only going to be the director, writer, and actors speaking. For me,
it’s the best part of the evening to mingle with the cast and crew
afterwards.” Joe said, trying his best to put his case in for the
defence.
“No
way. Fuck that shite, fella. No feckin’ way. I’ll meet you back
here just as soon as the credits roll, and that’s if I even make it
that far, not having jammed me fat bleedin’ fingers into the
nearest plug sockets first.”
“You
do know that we’ve got another movie at the Odeon straight after
this one, right? A German-made World War II movie.”
They
didn’t, but Joe enjoyed making the whiny, over-dramatic wanker
squirm when he went off on a rant like that. Colm rolled his eyes in
absolute disgust.
“Jesus
Bleedin’ Christ. You do know I could’ve stayed at home tonight
watching reruns of The Crown and Downtown Abbey.”
Right
on cue, the old man singing horrendously up on the stage finished
rather abruptly or simply just died standing up. It was hard to tell
which in the sudden silence that followed. Although, Joe’s eardrums
began to swiftly de-swell by a good couple of inches immediately
after, which he was extremely grateful for.
“Right.
I’m singing me bleedin’ song then we’ll go to this feckin’
book reading of yours.”
Colm
swiftly downed the rest of his pint before heading up onto the stage
at the back end of the semi-busy bar to sing his second carefully
chosen song of the evening – a cover of Bon Jovi’s You Give Love
a Bad Name, which he cheekily dedicated to Joe.
“This
song is dedicated to me best lad Joe over there at the far corner of
the bar. Recently out of the slammer and now he can’t even get
anyone to go to the cinema with him anymore apart from gullible old
me, the poor bastard. Oh, it’s a cruel bleedin’ world out there,
people. A cruel bleedin’ world.”
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